Various - Outstanding Jazz Compositions of the 20th Century à Télécharger Gratuitement

Tracklist

Versions

Crédits

• Accordion – Orlando Di Girolamo (tracks: B2)
• Alto Saxophone – Phil Woods (tracks: B3)
• Baritone Saxophone – George Barrow (tracks: B2), Sol Schlinger (tracks: B3)
• Bass – George Duvivier (tracks: B4), Joe Benjamin (tracks: B1,C1,C2,C3,D4,D5), Milt Hinton (tracks: A1,A2), Teddy Kotick (tracks: B3), Wendell Marshall (tracks: B2)
• Bassoon – Manuel Ziegler (tracks: B1,C1,C2,C3,D4,D5)
• Clarinet – John Laporta (tracks: B2)
• Drums – Ed Shaughnessy (tracks: B2,B4), Joe Harris (tracks: B3), Osie Johnson (tracks: A1,A2), Teddy Sommer (tracks: B1,C1,C2,C3,D4,D5)
• Flugelhorn – Miles Davis (tracks: A3)
• Flute – Robert DiDomenica (tracks: B1,C1,C2,C3,D4,D5)
• French Horn – Jim Buffington (tracks: A1,A2,A3,B1,C1,C2,C3,D4,D5)
• Guitar – Barry Galbraith (tracks: B1,C1,C2,C3,D4,D5)
• Harp – Margaret Ross (tracks: B1,C1,C2,C3,D4,D5)
• Liner Notes – Ralph J. Gleason
• Orchestra – The Duke Ellington Orchestra (tracks: D1 to D3)
• Piano – Bill Evans (tracks: B1,C1,C2,C3,D4,D5), Harvey Leonard (tracks: B3), Mal Waldron (tracks: B2,B3,B4)
• Producer – Teo Macero
• Saxophone – Hal McKusick (tracks: B1,B4,C1,C2,C3,D4,D5), John Laporta (tracks: B1,B2,C1,C2,C3,D4,D5)
• Tenor Saxophone – Eddie Wassermann (tracks: B3), Frank Socolow (tracks: B3), Teo Macero (tracks: B2)
• Timpani, Percussion – Richard Horowitz (tracks: A2,A3)
• Trombone – Bob Brookmeyer (tracks: B4), Eddie Bert (tracks: B2,B3), J.J. Johnson (tracks: A1,A2,A3), Jimmy Knepper (tracks: B1,C1,C2,C3,D4,D5), Urbie Green (tracks: A1,A2,A3)
• Trumpet – Al Stewart (tracks: B3), Art Farmer (tracks: B1,C1,C2,C3,D4,D5), Arthur Statter (tracks: A1,A2,A3), Bernie Glow (tracks: A1,A2,A3), Don Byrd (tracks: B4), Joe Wilder (tracks: A1,A2,A3), John Eardley (tracks: B3), Kunst Bauer (tracks: B2), Louis Mucci (tracks: B1,C1,C2,C3,D4,D5), Miles Davis (tracks: A1,A2), Nick Travis (tracks: B3), Phil Sunkel (tracks: B3)
• Tuba – Don Butterfield (tracks: B2,B3)
• Vibraphone – Bob Prince (tracks: B3), Teddy Charles (tracks: B1,B4,C1,C2,C3,D4,D5)
• Vocals – Ernestine Anderson (tracks: B2)

Notes

All tracks were previously released:
Tracks A1 to A3 on Music For Brass, rec. Oct. 20 & 23, 1956
Tracks B1 & C1, C2, C3, D4, D5 on Modern Jazz Concert, rec. June 10, 18 & 20, 1957
Tracks B2 & B3 on What's New?, rec. Sept 19, 1955 & April 1, 1956
Track B4 on Something New, Something Blue, rec. April 30, 1959
Tracks D1 to D3 on Festival Session, rec. Sept. 8, 1959

Album

The collection of information about your use of the content, and combination with previously collected information, used to measure, understand, and report on your usage of the service. This does not include personalisation, the collection of information about your use of this service to subsequently personalise content andor advertising for you in other contexts, i. on other service, such as websites or apps, over time. Functional Cookies. Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards by the 1930s, while others were popularized later. The time of the most influential recordings of a song, where appropriate, is indicated on the list. Listen to all tracks of Outstanding Jazz Compositions of the 20th Century for free. Tracks In This Album. Jazz Suite for Brass - J. Johnson, Brass Ensemble Of The Jazz And Classical Music Society. Three Little Feelings - John Lewis, Brass Ensemble Of The Jazz And Classical Music Society. Pharaoh - Jimmy Giuffre, Brass Ensemble Of The Jazz And Classical Music Society. All About Rosie - George Russell, Gunther Schuller. Sounds of May - Teo Macero, Bob Prince. Avakianas Brasileiras - Teo Macero, Bob Prince. Swinging Goatsherd Blues - Teddy Charles, The Manhattan Jazz All Stars. VARIOUS Outstanding Jazz Compositions Of The 20th Century 1963 US 15-track stereo double LP featuring John Lewis, Teddy Charles, Charles Mingus, Jimmy Giuffre, Duke Ellington & more, pasted gatefold picture . RECORDED 0. Title Outstanding Jazz Compositions Of The 20Th C. Author Various Artists. Supplier CBS. EAN C2L-31. Grading record excellent. Discs number 2. Outstanding Jazz Compositions Of The 20Th C. Warning: Last items in stock Availability date . Search inside document. 20th Century. Therefore the complex bebop compositions in the style of Charlie Parker and Dizzy Gillespie were replaced by simpler more groove ori- ented melodies that universal audiences could relate to easier. The Post Bop Era. Throughout the first part of the 20th century, jazz was not considered a respectable form of music among mainstream white audiences due to the fact that it was synonymous with the music of brothels and black culture. How- ever, in 1930 George Gershwin was responsi- ble for completing the assimilation of jazz into white American society by writing I Got Rhythm for a successful Broadway musical. 20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. Consequently, this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Night of Smooth Jazz - Relaxing Background Chill Out Music - Piano Jazz for Studying, Sleep, Work - Продолжительность: 3:17:08 Relax Music Recommended for 20th century. Wagners highly expressive harmonic bequest could not but drive chromaticism eventually beyond the retaining confines of the idea of a central key, for the extensive use of chromatic chords tends to blur the listeners ability to perceive the basic harmonic relationships that define a key. What was being questioned publicly in many quarters at the dawn of the 20th century was the evolutionistic view of Western art music as mans ultimate achievement in the realm of sound and its logical consequent that 19th-century harmony represented in turn musics most advanced stage of development. The general backdrop, of course, is the development of an indigenous music and its intertwinings with American life throughout the 20th century. But the central characters of this boxed-set story are really Burns, by now this country's pre-eminent documentary filmmaker the producers at PBS, the original if no longer the dominant national television network and the staffs of two major record labels, Verve and Columbia Legacy, who, in combination, possess a significant slice of jazz's history in their vaults. Before it can be appreciated as a telling of jazz's tale, Ken Burns Ja. Album Only. A-Tisket A-Tasket